Processionals | Notes: It is important to understand that the processional music you select will be adapted for the length of your procession. If you select a single piece for both the bridesmaids and the bride, the entrance of the bride will be marked by a fuller and louder organ sonority. |
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1 |
(formally known as Purcell’s “Trumpet Voluntary”)
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Jeremiah Clarke | |
2 |
Note: the Canon is appropriate for the Bridesmaids’ procession or for both the Bridesmaids and Bride together, but does not work well for the Bride alone, as it is too long and too soft.
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Johann Pachelbel | |
3 | Trumpet Tune in D Major | Henry Purcell | |
4 | Trumpet Tune in E-Flat Major | David N. Johnson | As an alternative, you may choose separate selections for the bridesmaids and the bride. In such a situation, it is effective to use track 2 for the bridesmaids and track 1, 3, 5, or 8 for the bride. Other combinations are also possible. |
5 | Rigaudon in D Major | Georg Bohm | |
6 | “Jupiter” Theme from The Planets | Gustav Holst | |
7 | Trumpet Tune in B-Flat Major | Mark Shepperd | |
8 | Rondeau in D Major | Jean-Joseph Mouret | |
Recessionals | |||
9 | Hornpipe from Water Music | G. F. Handel | Please note that you need not select prelude music from this list. Generally the choice of prelude music is left to the discretion of the organist, unless you wish to make a specific request. In weddings where no vocal music is scheduled for the offertory or communion rites, the selections above may prove useful. |
10 | Wedding March | Felix Mendelssohn | |
11 | Let the Heavens Declare (Psalm 19) | Benedetto Marcello | |
12 | Ode to Joy (from the 9th Symphony) | Ludwig van Beethoven | |
13 | In Thee Is Gladness (“In dir ist Freude”) | J. S. Bach | |
14 | Toccata in F Major | Charles M. Widor | |
15 | Toccata in G Major | Theodore Dubois | |
Preludes/ Interludes (see side notes) | |||
16 | Now Thank We All Our God | J. S. Bach | These recordings were made on the 2007 Casavant pipe organ at Nativity Church in St Paul, MN. |
17 | Sleepers, Awake! | J. S. Bach | |
18 | Jesu, Joy of Man’s Desiring | J. S. Bach | |
19 | Be Thou with Me | J. S. Bach | |
20 | Sheep May Safely Graze | J. S. Bach | |
21 | Andante in A Major | G.P. Telemann | |
22 | Sherzo in E Major | Eugene Gigout |
Seating of the Mother(s) | Seating of the Mother(s): 1, 2, 8, 11, 13, 15, 17, 18, 19, 20, 32 | |||||
1 | Ave Maria | F. Schubert | ||||
2 | Ave Maria | C. Gounod | ||||
Gathering Hymn (optional) | ||||||
3 | God of Love | L. van Beethoven | ||||
Responsorial Psalms | ||||||
5 | Ps. 98: All the Ends of the Earth | J. Hunstiger | ||||
6 | Ps. 128: Blest Are Those Who Love You | M. Haugen | ||||
8 | Ps. 24 (& Jeremiah): I Have Loved You | M. Joncas | ||||
9 | Ps. 91: On Eagle’s Wings | M. Joncas | ||||
Gospel Acclamation | ||||||
10 | Celtic Alleluia | C. Walker | ||||
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(Optional songs) | ||||||
11 | O Perfect Love | J. Barnby | ||||
13 | Be Thou with Them (Bist du bei Mir) | J.S. Bach | ||||
14 | Bridal Prayer | R. Copeland | ||||
15 | The Call (Five Mystical Songs) | R. Vaughan Williams | ||||
Offertory/ Gift Preparation | Offertory (Gift Preparation): 1, 2, 7, 8, 13 – 21, 27 - 32 | |||||
16 | The Gift of Love (English folk tune) | arr. H. Hopson | ||||
17 | Jesu, Joy of Man’s Desiring | J. S. Bach | ||||
18 | Wedding Hymn from Ptolemy | G. F. Handel | ||||
19 | Now With Thanksgiving (Irish Tune) | arr. D. Busarow | ||||
20 | When Love Is Found | arr. H. Hopson | ||||
21 | The Servant Song | R. Gillard | ||||
Communion Music | For ceremonies without a Mass, there is no Offertory, nor Communion song (and no Eucharistic Acclamations). However, a solo may be scheduled at the exchanging of the sign of peace. Tracks 8, 11-21, and 28-32 are appropriate. | |||||
22 | Panis Angelicus | C. Franck | ||||
23 | Ave Verum Corpus | W. A. Mozart | ||||
25 | The Lord’s Prayer | A. H. Malotte | ||||
26 | (An Irish) Blessing | K. Bart | ||||
27 | Nuptial Blessing | M. Joncas | ||||
28 | Love is the Sunlight (Morning has Broken) | arr. D. Busarow | ||||
Notes: In order to maximize the number of selections recorded, some solos and all of the psalms were abbreviated for this recording, usually by omitting verses. In practice, each psalm is usually sung with three verses. The items affected are tracks, 1, 4, 5, 6, 7, 8, 9, 11, 21, 25, 28, and 31 |
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The refrains of the organ-accompanied psalms were recorded with fuller sonorities to simulate the participation of the entire congregation in singing the refrains. | ||||||
The recording was made at Nativity Church in Saint Paul, MN. | ||||||
Nativity’s Contemporary Ensemble | ||||||
Musicians are also available for weddings. Visit www.spiritumusic.com for selections and samples of their music. |